JavaScript is required

Sharing Stories

The writers and artists collaborated from a distance. The artists, never having met the writers, were led entirely by the words and their own memories of the pandemic. The artists are students of the 2023–24 HND Contemporary Art course at the Arbroath Campus of Dundee and Angus College. Click here to see their work.

The collages of pandemic experiences were co-created with Lily and various community groups during Phase 1 of the project. The collages illustrate the collected memories and experiences shared with us by people from all across Angus.

AND WE FINALLY VENTURE OUTSIDE
Kerry L Fleming

I’m choking,
drowning,
gasping for air.
It’s clawing at my lungs
and it’s tearing at my hair.

I know it’s blowing in the wind,
seeping
through my skin.
Ignoring my anxieties,
it keeps on pushing in.

I sense its heavy presence
as I steal
through empty streets.
I feel it breathing down my neck
and soaking round my feet.

It whispers round the vastness
of this suffocating
void

of a brave new world I now know
I can no longer avoid.

A painting of varying shades of blue, going from darker at the bottom to lighter at the top. You can see the brushstrokes. A small figure is central to the image, you can only make out their outline, they are completely blue and are reaching their hand upwards to the top of the painting. They reach into dots of white and blue, these look like bubbles and continue upwards into horizontal brushstrokes of white and light blue. The figure looks as though they are being pushed down by the lighter colours.

BE CAREFUL WHAT YOU WISH FOR
Kerry L Fleming

we dreamed of a better life, didn’t we?
a secluded existence far-removed
from civilisation

we imagined our wonderous utopia
where time loiters like shattered clocks

where beasts and birds and nature reign,
and mother earth resumes her cleaning, mending, adjusting.

we longed for quiet, didn’t we?
sweet isolation
endless days of carefree nothingness
hour upon hour of beautiful silence
where we are free to do nothing, something, anything…

we dreamed of this life, didn’t we?

A photograph of a woodland in autumn. The leaves are orange, apart from one conifer tree we can see in the background. A tree on the left-hand side of the image has green moss covering its trunk. The forest floor is covered in orange leaves. The sky is a bright winter grey.

BREATHE
Kerry L Fleming

a silent scream explodes.
muted anger bursting through cracks in a once reticent vent,
seething vapour spilling in whispers across oblivious faces.
frustration builds.
tumbling, twisting like a ravenous snake,
coiling around calmness
circling composure,
tightening, squeezing,
smothering every last ‘take a deep breath’
every ‘count to ten’
every ‘just walk away’

I want to run.
to release myself from stifling confines,
constant questions, constant wanting,
needing, niggling, fighting, arguing.
I want to soar
escape to normality and its rose-coloured spectacles.
I want to roar,
‘I’m a fucking person too!’

But as always,
the vent stays closed
and I breathe.

A drawing of a topless light-skinned man in blue jeans, with huge white feathered wings instead of arms. His wings are extended and he flies left, on a background of blue sky with white and grey fluffy clouds. A brown eagle flies with him, slightly above him. The man has blonde hair and is shoeless.

COVID THOUGHTS. MID-2020: IT’S BEEN FINE REALLY
Brian Stewart

Lockdown?
I suppose it’s been fine really.
I’m retired, so I’m used to working in my study, trying to write.
I get out on my bike or go for a walk every day, and I actually like the fact that the roads are quieter out there.
We had a long holiday on the other side of the world in February, so we don’t really feel cheated that we can’t travel now.
From our conservatory we can see the Tay, and Tentsmuir beyond, so we don’t feel like prisoners in our own home.
The sheds are tidy now.
The garden’s tidy now.
We’re FaceTiming the children and the two grandsons, keeping in touch
We’re Zooming with friends over Friday evening cocktails, marking the weekend as something different from the week.
I have Teams meetings with fellow Rotarians, and Zoom meetings with writer buddies, so I’m keeping in touch with the main groups I’m involved with.
It’s been fine.
Really.
But…
Going to Wimbledon for the first time would have been great, but it was cancelled.
We had tickets for Les Miserables in Glasgow, but it was cancelled.
The annual trip to Jura was planned, but it was cancelled. This one was a grey area: we don’t feel like ‘visitors’ there but we would have been, and it was clear that many residents did not want any visitors at all, so we respected that.
We’re starting to miss proper social contact, seeing people for real instead of on-screen.
We can’t visit my daughter to help out with two young children at home while they try to work.
And there are two big ones…
Today we heard that the daughter of an old friend had passed away from cancer. We can’t go to the funeral, can’t comfort the parents or her husband or her daughter
Our new grand-daughter was born premature seven weeks ago. She’s home and doing well. We’ve seen pictures of her, and we’ve seen her on FaceTime
But when will we be able to hold her?

A monochrome sepia watercolour painting shows the interior of a church. ‘MUMMY’ is written across the altar. Empty pews are in the foreground, and lit candles are raised above them. A person sits central in the image of a step in front of the altar. They have their hands in their laps, and their face is completely blank; it is not detailed. There are flowers on the back wall and more candles coming off the side walls.

COVID THOUGHTS. MID-2022: LOOKING FORWARD WITH HOPE
Brian Stewart

We’ve seen the ‘new’ granddaughter many times by now, and she knows us well and she’s thriving (though still catching regular colds after those months of isolation). She doesn’t know what she missed in those first two years of her life, but we do.
She has a new wee brother that we’ve seen and held many times since his birth. No gap there.
My daughter’s boys are doing well: the world has opened up for them, with swimming and football and cycling and school.
Our lives feel normal again: we’re travelling, we’re seeing people. There are still Zoom meetings, which avoid the pollution, time and expense of physically going to meetings, but that’s fine. In fact, we’re disappointed that some of the gains of Zoom have been reversed.

We’re furious at those government ministers who partied while we made those sacrifices. We’re angry that we ‘lost’ two years of our lives. We’re concerned that Covid is still with us despite politicians saying it’s all over.

And of course there will be other epidemics that we’ll somehow be unprepared for. And wars, and the consequences of climate change, and economic disaster. We used to feel we could protect our children and grandchildren, give them better lives than we had. But we can’t do that.

All we can do is prepare them as best we can to deal with whatever comes along. And give them hope.

This is a painting of three light-skinned hands holding martini glasses. They look as though they are about to ‘cheers’ their glasses. They have liquid in their glasses with olives on sticks. On the brown table, there are two more olives and a sliced piece of lemon. The background of the image is white.

HAIKU FOR LOCKDOWN
Ann Craig

In Scotland doors closed
shutters down, gates padlocked
but hearts still open.

The painting depicts a close-up of a wooden door. It is a traditional wood panelled door with decorative square metal studs. The door is padlocked, and the metal cover of the keyhole is open to reveal a green and red tartan heart in place of the keyhole. The right-hand side of the painting shows a brick wall with green and red tartan in place of some of the bricks.

HEIRLOOM
Eleanor Fordyce

It sits on my windowsill, waiting,
empty jug with frilled rim
and bulbous feet; dark green glass,
glinting in the winter sun.

It sat on her windowsill, bunched
full of snowdrops, green and white
innocence, still life perfection
in a kitchen of happy chaos.

Now snowdrops clump the wood;
the jug is filled to the brim
with her. I am that child again,
in awe of their beauty and her
unfailing faith in springs to come.

A painting of a domestic scene. We see the view out of a kitchen window at night; another house, the side of a car and a shrub. Inside, on the brown windowsill, we see a little green jug full of snowdrops. The leaves are green, and the flowers are white. A purple smart speaker and another green plant are to the right of the flowers. We can see the top of the kitchen sink tap, a washing-up liquid bottle, and the draining board. There is a wooden chopping board drying, a bowl and a small glass. The tiles behind the sink are yellow, and shadows are cast across them from the objects in the image.

PANDEMIC
Elizabeth Frattaroli

Someone asked on Social Media if it was wrong she wanted Lockdown to continue.

That, with life on pause, she was discovering what was really important,

but that she felt guilty for enjoying the slower pace, the contraction of her world, when others were losing theirs completely.

The world outside is an unknown quantity, where invisible threats lie in the cracks of our old lives,

where even a visit to the supermarket feels threateningly alien; where forced separations make you yearn for physical solace – a touch, a hug, a greeting;

where loved ones aren’t able to comfort the sick, who die alone, as mourners mourn remotely.

And yet, in many ways we are closer than ever before and neighbourhoods, once lost in the frantic pace of life, draw close.

Ninety-nine-year-old Captain Tom walks on a Zimmer frame in his garden to raise money for our woefully funded NHS, and reminds us of our shared past and future, as a country salutes him.

Rainbows appear in windows to light the way as youngsters go on bear hunts upon colourful chalked pavements, and families stop, reflect, come together, insulate.

People bang pots and pans, clap in appreciation of our key workers, who sacrifice their safety for ours,

and community spirit, once on the verge of extinction in places, is no longer an endangered species.

And so I find myself also asking, is it wrong to hold on to some of what we’ve learnt, if the cause was a pandemic?

A drawing of a light-skinned woman in a red mask. She has ginger hair tied back in a low ponytail. She is resting her hand on her right hand, she is wearing a red v-neck top. The background of the image is a light blue colour. There are two red ‘pause’ signs, one on top left and one on the right. A speech bubble comes from her head, it reads, “? Life on pause, She was discovering what was really important”

LOCKED DOWN
Ann Craig

Sticks and stones might break bones
but this place is not malicious
not a prison for me.
I never knew how the familiar
was like a drug, lulling me into a
feeling of surety, of known ground
rooting me, in this freefall of a world.
The walk from room to room
a meditation, the breath between
warm spaces, a mantra,
soup bubbling in the pot, wind in the roof
a sedative against uncertainty.

The sea roars, the birds still soar
shouting at clouds and stupidity,
today the sweetest gift,
a lark playing in the air
sang us a rainbow.
There was a smell of cut spring grass
I could hear a tractor trundle
the postie called hello from the gate
gave a thumbs up, we returned it.
We walk on a new path
made in the time of Covid.
See neighbours, keep our distance,
exchange shouted news,
laugh reassuringly.

A friend baked a cake shared a photo,
we all dutifully, digitally, drooled.
We now inhabit a new, without taste or touch,
binary fusion world, online pals on our knee,
framed, contained, but still there.
The sun rises and sets, the seasons turn,
the moon shines silver in the night sky
the stars look down.
The blackbird pours his heart out at dusk,
------he still sounds optimistic.

THE OVERTURN
Sandra Ireland

A pandemic is an upended flowerpot,
crammed soil tipped out onto the path
like a child’s sand pie. It’s messy,
a confusion of black muck.
The shape of before is just visible,
but the fragile outline is about to crumble.
The container has finally cracked.
It cannot hold its shape.

Once it held a perennial flowering,
blooms as predictable as the moon rising.
But it was an illusion. You’re
afraid to look at the mass of lives
creeping from the earth; uncertain, wriggling
creatures that never see the light of day.
They have always been here, you just
never saw them.

While everyone looked away,
the overlooked worked
to fertilise the soil.
This is where the roots are, the power, and
without that system the whole plant will die.
But now they are on top, the overlooked.
They have been tipped out into the light.
They are key to our existence.
Key workers.
They will not be so easily buried.

This painting shows a yellow flower growing out of the ground. You can see below the surface of the soil, and there are lots of roots spreading across the bottom section of the painting to the edges. Above the soil, green grass grows behind the bright green stem and leaves of the flower. The yellow flower has six petals and curly stamen in the centre. The background of the image is a deep navy blue. There are dots of colours coming off the petals of the flower towards the top right-hand corner of the painting, they are coloured yellow, red and blue. To the left of the flower are two yellow squares. They have a depiction of the sun on them.

THE WORLD HAS SHRUNK
Wanda McGregor

The world has shrunk to faces framed
in screens
in windows
in doorways
as the death toll rolls and rolls
I step out onto peoples streets
a new world
of shop assistants shielded by Perspex
serving perplexed customers
cowering behind strained smiles
wielding plastic
no cash
I chap on door after door
most of them unanswered
stuffing leaflets like lifelines
in letterboxes.

And for once I noticed the walls
Instead of just looking,
and I saw that the world
to the face of a man on the telly
rummaging for microns hanging
onto his grey strands
lurking.
He once told me of a mouse loose in his house
he scrabbled on all fours on the floor
rummaging behind curtains,
a tv stand, a sideboard.
I grew bored, rolled my eyes, smirked and yawned.
But nothing prepared him, or me, for the scare of a corona lurking in his hair.

A drawing of an arched window. The glass is split into rectangular sections at the bottom, and curved shapes at the top. A beige cat with a red collar sits on the windowsill in the right foreground of the image, their tail drops down to the side of them. They are looking through the glass to another beige cat on the outside of the window, who is looking back at them. Their tale is raised and curves upwards. There are green leaves surrounding the window. The moon is high on the right side of the window and glows yellow. Grey clouds cover some of the navy sky.

WHEN WILL THIS END?
Jan Strickland

When will this end? No one seems to know.
It’s changing everything we say, do or think,
as it travels between people to and fro.
There doesn’t seem to be an answer, what’s the missing link?

When will this end? We can’t go out.
We can’t greet our friends, hug or kiss.
We stand metres apart from friends and shout.
It’s the human contact that we all miss.

When will this end? We oldies are confused.
People are kind; they shop for us and bring in our bins.
We sit, watching TV, feeling old and bemused.
Is this the world’s punishment for all of our sins?

When will this end? Thousands are dying.
The hospitals and care homes are doing their best,
while the world’s politicians just keep on lying
and the frontline workers are all needing to rest.

When will this end?
Only God knows!

Sometimes words and illustrations come together in a book. Angus Remembers has created a video and printable sheets you can download here to help you make your own book. Your book could be about anything you like, you don’t even need words! Perhaps you could create a book about your own pandemic experiences?

Creating together through shared memories to offer hope and healing